Work on set
Work on set
No hay Mañanas
Rol: Art, Makeup and Styling
Kai has spent years losing. Losing jobs, losing chances, losing faith in the idea that things could be different. When his roommate Edu gives him an ultimatum, pay the rent or get out. Kai takes the only work he can find: undignified, unglamorous, and just enough. But the moment he finally has something to hold onto, Edu takes it. One bad night, and Kai has nothing left , not the money, not the room, not the version of himself that still believed in trying.
A university short film. Professional equipment, full crew, no shortcuts.
No hay Mañanas
Rol: Art, Makeup and Styling
Kai has spent years losing. Losing jobs, losing chances, losing faith in the idea that things could be different. When his roommate Edu gives him an ultimatum, pay the rent or get out. Kai takes the only work he can find: undignified, unglamorous, and just enough. But the moment he finally has something to hold onto, Edu takes it. One bad night, and Kai has nothing left , not the money, not the room, not the version of himself that still believed in trying.
A university short film. Professional equipment, full crew, no shortcuts.
Art direction assisting
Color palette
Set design
Set floor plan
The aesthetic of the apartment represents the chaos in which the characters live and the disorder within their minds. We see a colorful yet retro visual style. The characters live in the past, clinging to the nostalgia of a time before they were subjected to the adult world. There is an aesthetic contrast between the shared spaces of the house and Kay's room. His room is his only safe haven,a space he has built to belong somewhere in a world that isolates him.
"Everyday life" (as an aesthetic) is what characterizes the overall look and feel of the house. A thoughtfully crafted aesthetic that allows us to empathize with the characters' situation and recreates a believable environment.
Art direction assisting
Color palette
Set design
Set floor plan
The aesthetic of the apartment represents the chaos in which the characters live and the disorder within their minds. We see a colorful yet retro visual style. The characters live in the past, clinging to the nostalgia of a time before they were subjected to the adult world. There is an aesthetic contrast between the shared spaces of the house and Kay's room. His room is his only safe haven,a space he has built to belong somewhere in a world that isolates him.
"Everyday life" (as an aesthetic) is what characterizes the overall look and feel of the house. A thoughtfully crafted aesthetic that allows us to empathize with the characters' situation and recreates a believable environment.
Beauty and characterization
(Lucía)
(Kai)
(Eduardo)
Kay represents total burnout and the physical toll of a relentless routine. His characterization focuses onthe effects of sleep deprivation, exhaustion, and lifestyle excesses, utilizing marked dark circles and an unpolished look. Additionally, after his shifts, his face is detailed with dust, oil, and grime stains to show the harsh reality of his work.
Kay represents total burnout and the physical toll of a relentless routine. His characterization focuses onthe effects of sleep deprivation, exhaustion, and lifestyle excesses, utilizing marked dark circles and an unpolished look. Additionally, after his shifts, his face is detailed with dust, oil, and grime stains to show the harsh reality of his work.
As an older character, the natural lines and signs of aging on Eduardo’s skin already serve a distinct narrative purpose. His makeup emphasizes these existing features to reflect the weight of time, supplemented by dust and heavy-labor stains that visually ground him in a lifetime of precarious, physically demanding jobs.
Lucía is a good-natured, well intentioned, innocent, and kind girl, though she tries to act older than she actually is by taking charge of her two housemates. To reflect this internal conflict, her makeup features a soft, natural base paired with vibrant, 90s-inspired lips, a stylistic choice that visually conveys her attempt to project a maturity she has not yet reached.
Lucía is a good-natured, well intentioned, innocent, and kind girl, though she tries to act older than she actually is by taking charge of her two housemates.
To reflect this internal conflict, her makeup features a soft, natural base paired with vibrant, 90s-inspired lips, a stylistic choice that visually conveys her attempt to project a maturity she has not yet reached.
As an older character, the natural lines and signs of aging on Eduardo’s skin already serve a distinct narrative purpose. His makeup emphasizes these existing features to reflect the weight of time, supplemented by dust and heavy-labor stains that visually ground him in a lifetime of precarious, physically demanding jobs.
Styling
(Lucía)
(Kai)
(Eduardo)
© 2026 Alba Hernández Fuertes. All rights reserved
© 2026 Alba Hernández Fuertes. All rights reserved
No hay Mañanas
Rol: Art, Makeup and Styling
Kai has spent years losing. Losing jobs, losing chances, losing faith in the idea that things could be different. When his roommate Edu gives him an ultimatum, pay the rent or get out. Kai takes the only work he can find: undignified, unglamorous, and just enough. But the moment he finally has something to hold onto, Edu takes it. One bad night, and Kai has nothing left , not the money, not the room, not the version of himself that still believed in trying.
A university short film. Professional equipment, full crew, no shortcuts.